Florida Moon/With the Coming of Tomorrow (One Step)
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If it isn't already on its way back, let me know if I can help you! Email me through my website, if you would like. Unfortunately, no one has developed a super-automated celestial tracking system for civilian use. Believe it or not, the Lockheed SR Blackbird spy plane used to have a celestial navigation system on board similar to that used by ICBMs that would track 6 stars in broad daylight and give the aircraft's position to GPS-level accuracy.
Unfortunately, no one has taken that system, made it inexpensive, and then attached it to some sort of camera tracking mount!
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Hi Todd, congratulations, this is simply the best article on photographing lunar eclipses! To answer your question, stacking might be a good way to defeat the motion blur. The other way would be to use an equatorial tracking mount. Hi, We had a lunar eclipse last night in Australia and whilst I wasn't intending to be awake at 4am, I was, so got busy with my Nikon D20 and mm telephoto. The eclipse took about 1 hr from the first crescent to totality and I got some great shots every few minutes. The camera was braced on a fence post, so reasonably stable but there may have been some movement.
It crossed my mind it would be better to unscrew the UV filter from the lens and immediately the double image disappeared. Can anyone explain this phenomenon? What you were experiencing was simply "lens" flare caused by the filter. Even with exotic coatings, filters and lenses can flare, especially when pointed at bright objects surrounded by the blackness of space. Even without a filter, this can happen if the bright object is off-axis with the lens. I experienced this during the total solar eclipse last year and even when shooting Mars last weekend. With good glass, you are unlikely to notice this flare during day-time shots, but night really tests the optics of your setup.
Good call on removing the filter! Just know that filter removal doesn't always work If anyone else has a hypothesis and solution, I would love to hear them. I have done astronomical timelapse photography for years. In a shooting I can take hundreds of individual exposures and create a video in Light Room. I have learned that if the subject changes in brightness the only setting on the camera that can be changed between exposures and not create flickering is the shutter speed.
I have done this successfully a number of times but the jump from one shutter speed to next can become noticeable in the video. I use a small but accurate equatorial mount drive to keep the moon centered. My approach for this lunar eclipse is to use a variable neutral density filter. Then at the start of the shoot when the moon is full I will stop down the filter to an appropriate level.
Then as the moon slides into the umbra I will gradually open the filter through the partial phase until totality when the filter will then be fully open, leaving all camera settings alone, then reverse the process.
How did we get here?
For something this long I will probably set my intervalometer to about 10 seconds between exposures, giving me ample time to make the filter adjustments. I am trying to visualize what this might look like. I guess that your goal with the VND filter is to keep the brightness of the moon relatively unchanged throughout the progression of the eclipse.
My concern if that is the right word is that the brightness of the moon changes throughout the process, and by evening your exposures, it might kind of defeat the purpose of showing the time-lapse. Another thought You might be cranking your ISO to unacceptable levels even with the tracking mount. It might be worth a try.
Keep in mind that lunar eclipses are not super rare, so if you don't pull this one off, you will likely have another opportunity in the future Thanks for great article. I have cable releases and will use mirror lockup etc. Would really appreciate your input. As far as the D vs D I would use that for totality. Also, you don't need a lot of resolution during totality. Remember, you are photographing an object in shadow a couple of hundred thousand miles away.
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Regarding teleconverters, I have never been a big fan. Maybe I just never had good copies, but I always regretted the loss of sharpness when using teleconverters. If yours are super-sharp, then go for it. Remember that, even in the clear airs hopefully of Joshua Tree, you are going to be battling atmospheric turbulence. And, as you alluded to, you are going to be getting longer shutter speeds with the teleconverters I might be tempted to skip them, keep your shutter speeds and sharpness up, and crop in post production if you want to "get closer. You could actually swap bodies and lenses, too.
Need an assistant? I ended up using the D with the mm Nikon F4 no converters to save light. Would I have preferred to use a D5? Of course yes but I think we got the job done. I tried to upload a composite that I put together, but I guess this page doesn't permit. Looking forward to January !! Hey Vanessa! I'd love to see the results. Are you posting them anywhere on the web? You can email me through my personal website or find me on social media with a quick Google search!
In , I had a "moon project" where I photographed the full moon rising and setting. I didn't have a cable release or a wireless release for my Canon A-1, so I used the self-timer to trigger the shutter; I now have a cable release and a wireless release for the motor drive. I did some research and found the "Sunny 16" rule was recommended for full moon photography. As the months progressed, I learned of the "Loony 11" rule; but I was already locked into using the Sunny 16 rule for consistency.
I used an mm f4. Rain totally skunked me once where I couldn't photograph the moon, so I had to delay the shoot to the next night. During the low humidity months of winter and the high humidity months of summer, I would leave the camera and lenses in my car to get them acclimated to shooting outdoors.
I recall photographing a lunar eclipse back in the 80's, but I'd have to go through boxes of film to find the eclipse. Always welcome! Thanks for reading and sharing your Loony 11 experience! Yea, I have decades of film to scan to convert to digital. But I need a workhorse of a scanner to convert the film that I shot into digital.
Thanks for the tips, but you are using the term "earthshine" incorrectly. Earthshine is a phenomenon whereby sunlight is reflected from the earth and illuminates the moon at times near new moon phases. I am running a diagnostic on my brain immediately and will have the text changed to remove the error. Thanks for checking on my alternative facts!
Skip to main content. With a tracking mount and better optics, this photo would be much sharper. Go Red Sox! Indianapolis IN.
Kansas City MO. Contact: , info uss-hornet. Hear about how the historic Apollo 11 flight was conducted and what was accomplished on the mission. In hands-on workshops, kids to gain a better understanding of what it took to send humans to the Moon. Visit the site, restored to its s appearance, where the NASA team controlled the flight of Apollo 11 from launch to splashdown. The opening reception and award ceremony of the youth art contest. Contact: Kim Check, kimberly.
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All artwork entries must be submitted or postmarked by Saturday, June 15, On July 18, the Visitor Center will hold an opening reception and award ceremony where winners will be announced. The art will be displayed in an exhibit hall at the Visitor Center from July 18 through September 7, Dine during a panel discussion in which children of astronauts and flight controllers share memories of growing up in the Apollo era.
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Winners of a nationwide art contest for pre-K through 12th grade students will be announced. Registration will begin on June 1, Dinner and the new documentary, Armstrong. Astronaut flight and space suits, space photos and artwork. Come aboard to build and test your own rocket and explore the science, technology, and engineering of getting astronauts into outer space. Neil Armstrong's hometown will be celebrating the 50th anniversary of the historic Apollo 11 landing. NASA will be there with exhibits, demonstrations and activities about historic and future lunar exploration.
Contact: Additional information: Shuttle transportation will be looping every half hour from airport to Armstrong Hall starting at 10 a. Open house activities will include exhibit scavenger hunts and viewing of Apollo 11 World Tour rare film clips.
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Relive the day Huntsville residents danced in the streets to celebrate Apollo 11 with more dancing, musical performances themed to the last five decades, and a projection experience to end the evening. Contact: info huntsville. Broad St. Special edition of Science After Dark to celebrate the 50th anniversary of the first manned landing on the moon, with three floors of exhibits and space-related hands-on activities. Contact: Science Museum of Virginia, info smv.
After the shows, stargaze through telescopes with the Richmond Astronomical Society, weather permitting.